Conversation Space: With Nathalie Gautier-Hartog and Akky van Ogtrop

When

Duration

Location

Glasshouse Regional Gallery - Level 2

Conversation Space: Panel Discussion With Artist Nathalie Gautier-Hartog and Art Historian and Curator Akky van Ogtrop

The Glasshouse Regional Gallery presents a series of exhibition specific Artist and Curator talks.  This program provides a unique opportunity for our community to engage with some of Australia’s leading artists and curators and inspire life-long learning.

Join artist Nathalie Gautier-Hartog and Art Historian and Curator Akky van Ogtrop as they discuss River In My Mind In My Work, an exhibition by Nathalie Gautier-Hartog.

Morning Tea provided. FREE event, bookings essential.

About The Exhibition: 

Nathalie Gautier-Hartog, a multi-disciplinary artist, explores human connections with the environment, underpinned by her own associations and relationship with the landscapes of France and Australia. Learn more about her exhibition, River In My Mind In My Work, here.  

Key Dates:

Conversation Space: Saturday 10 May, 11am

Exhibition On View: 12 April to 1 June 2025 

Nathalie Gautier-Hartog

Nathalie Hartog-Gautier’s works are in prestigious collections in Australia and overseas. She has received grants from Create NSW, NAVA and the French Embassy in Australia as well as residencies at the Cité Internationale des Arts in Paris, Hill End and Tweed Regional Gallery in Australia. In 2021 she has been awarded Artist in Residence at Bundanon where she will keep working on her River project.

Hartog-Gautier is constantly searching through archives, image banks, memories and landscapes looking for new ways to 'see' as an artist. This process of scanning allows her to uncover unique connections between seemingly disparate elements that are in turn unified by her own major themes and preoccupations. It is through this process of comparing her vision with that of others, that she attempts to depict nature in a new light – as if seen for the first time. Using different techniques, Hartog-Gautier offers a physical and conceptual journey questioning in a contemporary way the topics of the encounter as well as the memory and the identity.

@nathalie.gautier.hartog

Akky van Ogtrop

Akky van Ogtrop (born in The Netherlands), graduated from the Royal Academy of Fine Arts, s-Hertogenbosch, The Netherlands majoring in printmaking, and has a Masters Degree Fine Arts, Sydney University.

Akky has worked for major arts events with national and international arts organisations, including Public Programs and Marketing Director for the Biennale of Sydney, Founder and Director of the Sydney Art on Paper Fair, and is currently Curator for PAPER at Sydney Contemporary, and President of the Print Council of Australia.

Akky works as an independent curator with museums, galleries and contemporary art spaces, presenting exhibitions by Australian and international artists. She was the organiser, speaker and facilitator of a number of national and international symposia and workshops and is an Approved Valuer for the Australian Government's Cultural Gifts Program. Akky is an avid collector of Australian and international works of art on paper, artists books and zines.

Akky is presently serving on various boards, including: President Print Council of Australia Inc President Walter Burley Griffin Society Inc Boardmember Dutchlink Inc. She is a Foundation Member of the Art Gallery of NSW.

@akkyvanogtrop

All Box Office bookings are subject to our standard Glasshouse Booking Terms and Conditions.

Purchase of a ticket is deemed to be acceptance of the following terms and conditions:

1. Tickets are sold on behalf of the organisation or promoter and may be subject to additional conditions of admission to the event.

2. The right of admission is subject to building entry conditions and will be enforced by management.

3. Ticket holders enter the venue at their own risk. The Glasshouse will not be responsible for any loss, damage or injury arising from a pre-existing medical condition or due to breach of these conditions.

4. Tickets must be retained and presented for inspection upon entry to the event. If a person is unable to produce a valid ticket to the event, admission may not be permitted.

5. Advertised programs may be varied without notice. Artists may be added, withdrawn or substituted for performances and the right to vary prices, venues, seating arrangements and audience capacity is reserved by the Glasshouse and hirers.

6. Prices are subject to change without notice.

7. Tickets are subject to no refund or exchange. In some instances, such as cancelled events, refunds for performance tickets may be payable in accordance with the Live Performance Ticketing Code of Practice. Exchanges of tickets, or the replacement of lost, stolen or missing allocated seating tickets may be permitted under certain conditions and fees may apply. General Admission tickets will not be reissued.

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13. As the Glasshouse is a venue for hire, in some instances as the ticketing agent we may be directed to cap the number of tickets available per transaction, apply member discounts, enforce age restrictions, or other conditions surrounding the event, which ticket purchasers are required to abide by.

14. Children under the age of 16 must be accompanied by a suitable adult or guardian at all times. Admission will not be permitted to anyone under the age of 16 who is unaccompanied. Children under the age of 16 must be seated with a parent or guardian.

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16. Where an age restriction or recommendation applies to an event, patrons will be advised accordingly. Under 18’s will not be permitted admission to an event that is Restricted 18+. The Glasshouse is not liable for any offence that may be caused by show content, where an age recommendation is in place, and has not been adhered to by ticket purchasers.

17. Terms and conditions remain in effect even when the ticket changes hands. The reselling of a ticket or a breach of the terms and conditions, does not nullify the terms and conditions of the original ticket sale. Any subsequent ticket holder is bound by those terms and conditions.

18. Ticket may not be resold for commercial packages or at a premium, nor may it be packaged or used for advertising, promotional or other commercial purposes unless agreed in writing by the Glasshouse. If a ticket sold is in breach of this condition, the bearer of the ticket may be refused admission.

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